ISBN: 978-1-908126-09-2
Внешнее покрытие издания: в пер.
Тираж издания: 3000
Фамилия автора в заголовке: Polyakova
Инициалы автора (личного имени (имен)): O
Код отношений (роль соавтора в издании): 070 Автор
Основное заглавие: Icons : Masterpices of Russian Art 16th-19th centuries
Сведения, относящиеся к заглавию: from the collection of the Moscow State Integrated Museum-Reserve at Kolomenskoye
Первые сведения об ответственности: O. A. Polyakova
Место издания: Moscow
Издатель: VIVAYS Publishing
Дата издания: 2011
Объем издания (количество страниц): 192
Другие уточнения физических характеристик: col. ill.
Высота, см.: 33
Полная форма имени (имен) и отчества: Olga
Индекс УДК: 27-526.62
Статус записи (Тип информации): В наличии
Суперобложка: v
Ширина, см: 26,5
Толщина, см: 2
Вес в граммах: 1705
Артикул: 2297080

This book presents the finest examples of late-Russian iconography (16th to early 20th Century), with works showing rare subjects, such as Christ aching in the Synagogue by an unknown royal iconographer of the end of the 17th century, or the 19th-century Depiction of an Iconostasis. These masterpieces reveal a whole seam of the nation's cultural inheritance that until recently had been reatively unknown even to specialists. Assembled ring the revolutionary years at Kolomenskoye, a forrmer royal estate in the south-east of Moscow transformed into a Museum of Ancient Russian, this unique collection of Russian icons hides complete sets of icons from the interiors ruined or destroyed churches and monasteries. Masterpieces from the Kolomenskoye Collection comprise icons dating back to the time of Ivan Terrible (1530-84), when the originality of local iconographic schools based on ancient centres such as Novgorod, Pskov and Tver largely disappeared under Moscow's new leadership. Peter the Great's reforms in the 17th Century gave way to western influence in all spheres of Russian lifestyle; Russian iconography underwent major changes in themes, styles and details, with historical figures, landscapes and architectural elements featured, me icons of this showed the architecture of a ole town, such as the panorama of Veliky Ustyug a mid-17th-century icon, or a view of Archangel painted in 1741. By drawing attention to fragments from the icons, this book invites the reader to look to carefully at masterpieces and to investigate details themselves.

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